13 January 2008

Carla Harryman is known for her genre-disrupting prose, poetry, and performance works.<br />Recent publications include Open Box (Belladonna, 2007), Baby (Adventures in Poetry, <br />2006), Toujours l'epine est sous la rose (Ikko, 2006: tr. Martin Richet), and Gardener of<br />Stars (Atelos, 2001). A collection of conceptual essays, Adorno's Noise, is forthcoming<br />from Essay Press this spring. Recent performance pieces in Detroit, Montreal, Germany <br />and Austria have featured bilingual choral improvisation and sound manipulation. Her 1994 <br />work, Memory Play, will be staged at the Renaissance Society in Chicago in March 2008. <br />She is also a participant in The Grand Piano collaboration, a ten-volume experiment in <br />collective autobiography by ten writers originally identified with Language Poetry in the San <br />Francisco Bay Area. Since her 1995 move out of the Bay Area, she has lived in Detroit.<br /><br />Lauren Gudath lives in Petaluma, California, where the sky is always sunny and the <br />butter and eggs are always fresh. There she writes sundry items for software companies <br />and poems for a tiny audience that may include you. Lauren's publications include The <br />Television Documentary (Second Story, 1999) and This Kind of Interpretation Brings Luck <br />(Lucinda, 2000). Her work has appeared in numerous publications including Kenning, Chain, <br />and Bay Poetics.<br /> <br />Also showing: video by Kota Ezawa and David Berezin

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Iga Wyrwal
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Iga Wyrwal
Iga Wyrwal
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